Tucked away in Passage des Panoramas, the city’s oldest covered passageway, “lounge-restaurant” Passage 53 has divided online opinion during its brief existence; it’s also garnered a Michelin star, so The Wife and I decided to make this a destination. And I’m really glad we did. Chef Shinichi Sato presents French cuisine with such markedly clean flavours; it’s like nothing else I’ve eaten in France.
Besides the (very) low-slung chair I sat on with some discomfort throughout the nine-course €85 dégustation, I can think of no other negatives.
We started with the green pea velouté with green pea skin sorbet, a wonderfully refreshing amuse, sweet and fresh. The soup came with two delicate “tarts”: anchovy butter on one; onions and Osetra caviar on the second. The “pastry” was thin and shatteringly crisp, simply a way to deliver the intensely flavoured “fillings” to our expectant mouths.

Next followed tempura baby violet artichokes with raw oysters, finely diced apple, and onion foam. A delightful play on hot/cold, sweet/briny.

I’ve become a huge cauliflower fan over the past few years; the French Laundry’s Cauliflower “Panna Cotta” with Island Creek Oyster Glaze and California Sturgeon Caviar continues to haunt me in that “very special dish” kind of way. Passage 53’s quickly grilled calamari with cauliflower cream and raw cauliflower may return to haunt me, too. The squid was flash-flamed, and though tender still had a pleasant bite which matched perfectly with the creamy purée and the sweet crunch of the raw shaved florets. Monochromatic dishes usually don’t work aesthetically, but the white on white on white was as refined looking as it was tasting.

Never have I eaten as much wild asparagus as in this trip, and the next plate of white and wild asparagus with girolles and girolles foam may’ve been the best of the bunch. Another play on contrasts: sweet and bitter. The earthy, buttery girolles foam anchored the dish.

The last fish course was a meltingly flaky black cod fillet with radishes, fennel, cabbage, and tiny slivers of bacon, with a yuzu-spiked seafood foam. Another symphony of clean flavours.

To bridge the fish courses from the meat courses, we were then offered one of the best palate cleansers I’ve tasted: roasted foie gras with hot rhubarb soup and strawberries. After eating Le Cinq’s very different presentation of foie gras with rhubarb and strawberries the week before, I’ve decided the blend of tart rhubarb and sweet strawberry is foie gras’ perfect foil. I can’t recall another combination that so deliciously offsets the liver’s velvety richness; yet you could sup the soup by itself and be wowed.

The first meat course was poulet de Bresse with an intense and creamy sauce of slow-cooked egg, Parmigiano-Reggiano, and onions, a shiitake mushroom duxelle, and green asparagus. The skin was perfectly crisp, the dark meat moist and imbued with that deep flavour for which poulet de Bresse is known (and for which you pay a small fortune).

The last meat course was a perfectly-cooked cut of beef with an eggplant and peanut purée, fondant potatoes, fava beans, bok choy, and tarragon. To my surprise, the star of the plate was the purée. Who knew eggplant and peanuts worked so well together? And what a perfect accompaniment to the beef. Smoky, nutty, creamy. Oh my. A wonderful surprise.

Five small desserts followed: rhubarb jelly with rhubarb sorbet and diced raw rhubarb; mango and sago with pineapple and passion fruit foam; banana panna cotta; strawberries with strawberry sorbet and fresh almonds; warm chocolate tart. I don’t have the biggest sweet tooth, but I could eat that rhubarb jelly every day and not tire of it. The chocolate tart was another winner: gooey with just the right amount of sweetness.

At our waiter’s suggestion, we ordered a beautifully balanced yet complex Puligny-Montrachet (Domaine Louis Carillon, I believe), that complemented the dégustation.
Before our arrival—indeed, even after we arrived in Paris—we debated at length about going to Passage 53. I’m glad saner minds prevailed.